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The Effectiveness of Mindfulness Training on Young Adult Musicians Experiencing Music Performance Anxiety

Nicole Stanson

uO Research (University of Ottawa) November 25, 2019 DOI: 10.20381/ruor-24117 (opens in new tab) via OpenAlex

Summary

AI-generated from the abstract

A two-week mindfulness intervention reduced self-reported music performance anxiety in musicians, while a control group without mindfulness training experienced increased anxiety. The study used the State-Trait Anxiety Inventory and heart rate monitoring before and after a mock jury performance. Although the mindfulness group showed a significant decrease in cognitive anxiety compared to controls, heart rate data revealed no significant differences between groups, indicating that mindfulness training did not affect the physiological experience of performance anxiety. Baseline anxiety levels differed between groups, complicating interpretation.

Study at a glance

Characteristics Controlled trial with non-random allocation Peer reviewed
Sample size 26
Population Musicians
Intervention Mindfulness training
Duration 2-week intervention
Topics Anxiety Meditation
Keywords Clinical psychology Psychotherapist Cognitive psychology
Key finding Mindfulness training significantly reduced self-reported music performance anxiety but had no effect on physiological measures of anxiety (heart rate).

Abstract

Background: Research has shown that music performance anxiety (MPA) is experienced by individuals in all age groups and skill levels. Due to the need for effective treatment of performance anxiety in musicians, researchers have begun to investigate the viability of mindfulness, which has been proven as an effective treatment in populations with generalized anxiety. Although preliminary studies have been undertaken in examining the effects of mindfulness training on the experience of MPA, these efforts have been by a small group of researchers, and further replication and statistical significance is needed. Objective: This study aims to monitor the effects of a two-week mindfulness intervention on musicians using questionnaires and heart rate data. Methods: This experiment used a control group design, in which the first 13 participants collected were allocated to the experimental group, and the next 13 collected were allocated to the control group. All participants underwent the same baseline data collection involving completing the state side of the State-Trait Anxiety Inventory (STAI) directly before and after performing in front of a mock jury panel while wearing a hear rate monitor watch. After this session, only the experimental group partook in two weeks of mindfulness training consisting of 6-9 sessions, each an hour in duration. Once the two-week intervention was concluded, both experimental and control groups participated in a post-intervention data collection identical to the baseline session. Results: The experimental group experienced a decrease in anxiety between pre- and post-intervention while the control group experienced an increase of anxiety. A two-way mixed ANOVA analysis revealed that there was a significant relationship between the changes in anxiety when comparing the control and experimental groups. However, statistical analysis also revealed that the two groups exhibited statistically different levels of anxiety at baseline. Heart rate data revealed no significant differences between groups. Conclusion: Data from the STAI suggests that mindfulness has a significantly positive effect on the cognitive experience of music performance anxiety. Through this study no correlation was found between the physiological experience of music performance anxiety and mindfulness training.

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