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From Russia to Eridanus: The Taoist Psychogeographic Ecosphere of Malcolm Lowry

Nigel H. Foxcroft

IAFOR Journal of Literature & Librarianship September 16, 2018 DOI: 10.22492/ijl.2.2.04 (opens in new tab) via DOAJ

Summary

AI-generated from the abstract

Malcolm Lowry's cosmic consciousness evolved through a multi-disciplinary, cross-cultural framework that integrated Aztec, Zapotec, and Taoist world-views. His experiences of the Mexican Day of the Dead festival in Cuernavaca in 1936 and his quest for atonement with the spirits of the dead shaped works from Under the Volcano to The Forest Path to the Spring. The paper establishes synergies among animist, shamanic concepts of the universe, the Pleiades star cluster, the symbol of Eridanus, and Taoist philosophical concepts of yin-yang universal harmony, tracing Lowry's psychic journey from Russia through Mexico to Canada.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Keywords Malcolm lowry Taoism
Key finding Argues that Malcolm Lowry's work embodies a cosmic consciousness integrating Aztec, Zapotec, and Taoist concepts of cyclic renewal and atonement.

Abstract

In tracing the evolution of the cosmic consciousness of Malcolm Lowry (1909–57), a prominent English Modernist novelist and poet, this paper provides a multi-disciplinary, cross-cultural, intercontinental framework for analysing the influence of cultures and civilizations — both east and west—upon national identities and value-systems, expressed through literature. In its investigation of the material, cosmological and spiritual domains of the Aztecs and Oaxacan Zapotecs, the paper considers anthropological, cultural and ethnographic influences associated with pre-Columbian, Mesoamerican rituals and primordial forces. Hence, it can be said to scrutinize the psychogeographic ecosphere of existence in its cycles of life, death and renewal, probing the subconscious dimensions of the Mexican Day of the Dead Hispanic festival observed by Lowry in Cuernavaca in 1936. It also evaluates his dedication to a quest for atonement with the spirits of the dead in his various works, ranging from Under the Volcano to The Forest Path to the Spring. In recognition of Lowry’s need to repent for the debts of the past and for the traumatic sins of mankind, synergies are made with the animist, cosmic and shamanic concepts of the universe reflected in the celestial visions of the Aztec and Zapotec civilizations. In pursuit of Lowry’s search for yin-yang universal harmony on his psychic journey from Russia, via Mexico, to Canada, cosmopolitan, cross-disciplinary conctions — including Sino-Japanese links—are established among the cyclic rhythms of the universe reflected in Aztec, Zapotec and Taoist world-views; the highly significant Pleiades star cluster; the ubiquitous, intergalactic symbol of an Edenic Eridanus; and the philosophical and cosmic concepts of Taoism.

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