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Mysticism and Time Travel

Lara Vetter

A Curious Peril August 15, 2017 DOI: 10.5744/florida/9780813054568.003.0003 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Historical analysis Peer reviewed
Topics Mysticism
Key points Argues that a structural break in The Sword Went Out to Sea, caused by the merging of mysticism and time travel genres, fragments the narrator and narrative voice as the traumatized character Delia becomes a time traveler.

Abstract

Chapter 2 examines the structural break that occurs in the middle of The Sword Went Out to Sea, and the concomitant fragmentation of narrator and narrative voice. This break can be traced, again, to the merging of two genres—mysticism and time travel—that coexist but destabilize one another. Though H.D. had been interested in mysticism decades earlier, the war compels her to revise her way of thinking about it. In Sword, a traumatized Delia experiences an apocalyptic vision that thrusts her into a liminal space, at once in time and out of time, and launches her as time traveller into the historical vignettes that comprise the second half of the novel.

Comparable studies

Other theoretical and historical papers on mysticism, most cited first.

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