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Perception in the Mode of the Word: Alfred North Whitehead’s Philosophy of Perception in the Poetry of William Carlos Williams

Deven Philbrick

William Carlos Williams Review December 1, 2025 DOI: 10.5325/willcarlwillrevi.42.2.0168 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Philosophy of mind
Keywords Poetry Perception Embodied cognition Mode computer interface Statement logic Object grammar Aesthetics Epistemology Intentionality Metaphysics
Key points Argues that Williams's 'No ideas but in things' posits an ontologically prior relationship between ideas and things, and that proprioception is crucial for interpreting his poems as critiques of the subject/object distinction.

Abstract

Abstract This article seeks to mobilize Alfred North Whitehead’s philosophy of perception—more specifically, his contention that imbrication in a knowledge relationship with the perceived object precedes registration of the percept in consciousness—toward reconceiving some stale debates in Williams studies, namely: what is meant by the famous dictum, “No ideas but in things.” For Williams, this statement does not mean placing poetic priority on objects, particulars, or concrete reality. Instead, ideas and things exist in a relationship that is itself ontologically prior to either things or ideas. Proprioception, an embodied form of knowledge that does not require conscious awareness, becomes a crucial tool for interpreting Williams’s ostensibly object-centered shorter poems, which this article suggests dramatize a critique of the subject/object distinction by portraying perception without a perceiver. This philosophical framework serves to deepen the possibilities of engagement with deceptively simple poems, and to argue for the philosophical complexity of Williams’s poetry more broadly.

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