Seeing Henry Jenkins’s digital-age concept of transmedia convergence as the late-capitalist assembly of 1960s psychedelic intermedia practices, this article adds to a discussion of pre-digital convergence through an examination of the Beatles’ countercultural media production and distribution practices. This research examines how these practices are indicative of their cultural ideologies, and...
This article offers a comparative analysis of aspects of the careers of two celebrated 1960s popular musicians, Brian Wilson of The Beach Boys and Syd Barrett of Pink Floyd. Through formal and contextual readings of selected songs, it argues that during 1967, in the hands of Barrett, Wilson and his lyricist Van Dyke Parks, the incongruous, semantically complex figure of the vegetable came to...