ABSTRACT This essay explores the relationship between cinema and the psychedelic counterculture in the United States and Japan through the life and work of the filmmaker Ōe Masanori. After spending five years producing films within and about the counterculture in the U.S., he returned to Japan in 1969 and quickly became involved in the emerging movements at home. The author argues that Ōe...
ABSTRACT The Australian artist Martin Sharp (1942–2013) produced a series of psychedelic artworks in London between 1966 and 1968, the most famous of which were the Disraeli Gears record cover for rock group Cream and the Bob Dylan Blowin’ in the Mind poster. Sharp’s work exemplifies the connection between early twentieth century Modernist art movements, Pop art and acid-induced psychedelia of...
10.1080/17541320802457160-UF0001 Dr Albert Hofmann, at age 100, in Basel, Switzerland in 2006. The authors cited laboratory experiments with subjects in an induced‐trance state which suggested that...