‘Ecstasy’, long considered a primary experiential marker of shamanism, has been conflated with Mircea Eliade’s description of ‘cataleptic trance’ and the subsequent notion of an ‘altered state of consciousness’. More recent scholarship contests this fixation on the mental state of shamanism, whether in the Arctic or its presumed geographical migration elsewhere. We retrieve the more common...
Abstract The act of dance appears as a pattern of conscious movements in space and time, but a dancer who has the ability to go beyond the limits of space and time (experientially) can bring about a non-local experience of oneself and the audience making it an ecstatic communion. In this paper, we are interested in examining the extent of subjective experience of a dancer and his audience;...