The Mecha that therefore we are (not): an eco-phenomenological reading of Neon Genesis Evangelion
Series. International journal of tv serial narratives July 30, 2021 Giuseppe Gatti
In the late 1960s, the Japanese animation inaugurated a prolific science fiction strand which addressed the topic of mediated experience. In a context of transnational reception and consumption of anime, the “robotic” subgenre (particularly the one that will be called “mecha” in the 1980s, i.e., narratives of giant robots piloted by a human within) occupies a strategic place. By highlighting...
DOI: 10.6092/issn.2421-454x/12465 (opens in new tab)
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Anime
Enactivism
Presence
Ecophenomenology
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