In Alejandro Jodorowsky’s autobiographical story El maestro y las magas (2006), the eclectic and esoteric artist spends a significant amount of time recounting his experience under the tutelage of Japanese Zen Buddhist monk Ejo Takata in Mexico City in the latter part of the 1960s into the early 1970s. Their relationship as master and disciple would be an important, if not foundational, part of...