Revista ExtraprensaMay 12, 2026Éder Rodrigues Dos Santos, Celso Luiz Prudente
The cinema in question is brought to the screen through the ontological protagonism perceived in Black cinema, in the demands of Indigenous filmography. However, we perceive a Merleau-Pontyan dialogical relationship with the dynamics of Amazonian shamanism, when navigating the dimensions of the visible and the invisible—a method proposed in this work for understanding Yanomami cinema. Both the...