The chapter addresses zvipunha spirits and signs of transformative experience, focusing explicitly on the here and now and the efficacy of musicking in reifying the emotional and spiritual possibilities of experience. The chapter is about a specific moment in which the zvipunha ceremony at Horus Farm transformed from one of adequacy and rote performance to one of spiritual awakening and joy. It...
This book pushes past the limits of language to explain how musicking contributes to powerful emotional and spiritual experiences. Emphasis on the ethnographic moment clarifies the impact that the past and the future have on the immediacy of the present. The prologue introduces the ethnographic encounter at the center of the text and addresses three key terms in the book’s title: music,...
The chapter explores emotional experience via attention to mhongo spirits, possession, and the effects of musical performance. It compares multiple performances in order to demonstrate how ceremonial conventions can be manipulated or undermined. The chapter introduces mhongo spirits, the intricate drumming that brings them to dance, and the consequences of shifting performance signs. The goal...
The chapter explains the theoretical framework that guides the analysis in subsequent chapters and introduces a model for understanding emotional experience rooted in the semiotic phenomenology of C. S Peirce. This model allows for the explication of diverse modes of experience and explains the impact of habits and values in the interpretation of signs during ceremonial performance. As selves...