The article presents a phenomenological analysis of the ontological status of the cinematic work. It problematizes the traditional understanding of film as a fixed, stable object and substantiates its nature as an “unstable event” that is constituted exclusively at the moment of interaction between the technical apparatus and the viewer’s consciousness. The methodological basis of the study...
The main purpose of this article is to establish links between the teachings of Hryhorii Skovoroda and the leading trends in Western philosophy of his time. Since the anticipated influences, similarities and parallels are mostly implicit, the main purpose of the study is to identify common motives for thinking, rather than direct dependence. Nevertheless, the biggest difficulty of this analysis...