Skip to content

Organised Sound

ISSN 1355-7718

3 papers in the library · publishing 2005-2026

Papers

Sort Most recent Most cited

Experimental sense-making, musicking and no control: Performing black box music instruments

Organised Sound June 11, 2026 Thomas Grill, Arthur Flexer, Angélica Castelló et al.

Abstract The text explores ‘Black Box Music,’ an artistic research experiment investigating human–technology relations in musical improvisation. The authors describe performances in which each musician plays an unfamiliar, complex, custom-built instrument designed by another team member. These ‘black box’ devices – ranging from AI-based systems to assemblages of analogue devices – cannot be...

DOI: 10.1017/s1355771826101356 (opens in new tab) Full text (opens in new tab) Foregrounding Agency philosophy Ambiguity Improvisation +14

From Physical to Spiritual: Defining the practice of embodied sonic meditation

Organised Sound November 30, 2020 J. Wu

This article narrates my practice-based research in embodied sonic meditation, as a Digital Musical Instrument (DMI) designer, a vocalist, a composer, a media artist and a long-term meditation practitioner. I define the concept of ‘embodied sonic meditation’ in the context of electroacoustic sound art with the augmentation by music technology and human-centred design. I historically connect...

Ecoacoustic and shamanic technologies for multimedia composition and performance

Organised Sound April 1, 2005 Matthew Burtner

The author's close connection to traditional Alaskan culture has inspired the creation and implementation of new multimedia instruments based on the use of ritual objects in shamanic cultures of the far north. Simultaneously, the musical processes articulated by this music are structurally tied to environmental systems in a technique discussed here as ‘ecoacoustics’. In this work,...