Mental Imagery and Iconic Imagery: The Art of the Origins between Neuropsychology and Shamanism
IRIS December 15, 2019 Gabriella Brusa-Zappellini
Upper Paleolithic cave art includes many geometric signs alongside diverse animal depictions. Human or hybrid human-animal figures are rare, while these aniconic, often geometric forms are more numerous than animals. Interpreting the intentionality behind early cave painting is challenging, with signs being the most enigmatic aspect. Thirty years ago, Lewis-Williams and Dowson proposed a neuropsychological model linking entoptic phenomena to universal signs in cave art, suggesting shamanic visionary origins. This interpretation has sparked debate in France. The text questions whether the neuropsychological model can coherently explain archaeological data and symbolic constructions in decorated caves.