The exploration of the ethnic differences in the ontological beauty of shamanic music within the context of postmodernism is focused on in this thesis, which will be achieved through an analysis of the musical object forms and their corresponding associated elements and symbolic contexts. Although the concepts of shamanic music in Korea and China are both categorized as religious, it is...
As a universal music form in the world, shamanic music not only retains its religious (divine) nature in the historical construction but also shows different national characteristics with the embedding of specific cultural scene patterns. Citing the perspective of ethnomusicology, the source of religious consciousness of the current shamanic music object form is explained with “music in...