An Appraisal of the Place of Mystical Technology in Nsukka Igbo Masquerade Institution
International Journal of Research and Innovation in Social Science 2026 Odoja Asogwa, Uchechukwu Charles Onyishi
In the pre-Christian Igbo, masquerades were a common conscience of the communities where they existed, and the most public of all arts. Their successful performances brought prestige and their failure a total disgrace to the groups or communities that own them. Several means that included procurement and use of medicines were devised to ensure their successes in performances. The common belief...