Skip to content

Consciousness, ideas of ideas and animation in Spinoza’sEthics

Oberto Marrama

British Journal for the History of Philosophy May 4, 2017 DOI: 10.1080/09608788.2017.1322038 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Citations 9
Key points Argues that Spinoza uses 'consciousness' consistently in the Ethics to account for the mind's knowledge of itself as conceptually distinct from the body, serving to explain the illusion of free will and the mind's knowledge of its eternity. Contends that this technical notion should not be confused with 'degrees of animation' and that consciousness, for Spinoza, is neither a faculty nor a property of certain minds and does not come in degrees.

Abstract

In the following article, I aim to elucidate the meaning and scope of Spinoza’s vocabulary related to ‘consciousness’. I argue that Spinoza, at least in his Ethics, uses this notion consistently, although rarely. He introduces it to account for the knowledge we may have of the mind considered alone, as conceptually distinct from the body. This serves two purposes in Spinoza’s Ethics: to explain our illusion of a free will, on the one hand, and to refer to the knowledge we have of our mind as something eternal, on the other. I contend, therefore, that we should not confuse Spinoza’s technical use of the notion of ‘consciousness’ with the ‘degrees of animation’ that he also evokes in the Ethics. Consciousness, for Spinoza, is neither a faculty, nor a property specific to certain minds or ideas. Furthermore, consciousness does not come in degrees. Indeed, Spinoza’s account of consciousness is not intended to differentiate kinds of minds in terms of awareness of their respective ideas.

Citations in the library

Explore topics