Genii of the River Niger
Adeline Masquelier, Jean-Marie Gibbal
Journal of Religion in Africa February 1, 1996 DOI: 10.2307/1581900 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Ethnography Peer reviewed |
|---|---|
| Population | People of eastern Mali, particularly participants in the Ghimbala healing cult |
| Citations | 9 |
| Key findings | Gibbal argues that the river Niger serves as the dominant cohesive force among people in impoverished eastern Mali and that the Ghimbala healing cult, centered on the river, structures social relations. He contends that the water spirits, or genii, animated in nocturnal possession rites provide the strength of social identity where famine and competing versions of Islam threaten traditional culture. |
Abstract
The river Niger, a source of life and danger for the people in impoverished eastern Mali, is also the origin of elaborate mythology. From his travels through Mali and down the in a dugout canoe, Jean-Marie Gibbal has created a personal documentary of the cultures of the region. The result is at once an ethnography of cultures in crisis and a evocation of the environment and people he encountered. Gibbal portrays the river as the dominant, cohesive force among people in the face of social and environmental strife. He focuses on the Ghimbala healing cult, which centres on the river, and how the cult structures social relations in the region. Gibbal relates the Ghimbala rites, nocturnal ceremonies of spirit possession and seance which animate the water spirits, or genii, that inhabit the river. The genii, he finds, provide the strength of social identity in a world where famine and competing versions of Islam threaten to overpower traditional culture. In its original French publication, Genii of the River Niger was honoured with an Alexandra David-Neel literary prize in 1989.