Yoga and Music - The Synergy
Yogesh Sadashiv Prabhudesai, Sushama Suresh Kale
International Research Journal of Ayurveda & Yoga July 7, 2026 DOI: 10.48165/irjay.2026.9.04.03 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Qualitative Peer reviewed |
|---|---|
| Key points | Argues that Yoga and music are fundamentally unified, sharing divine origin in Lord Śiva, reliance on Prāṇa and Nāda, and the goal of Samādhi. Proposes that music is a Haṭha Yoga Sādhana, actively using the eight limbs of Aṣṭāṅga Yoga. |
Abstract
In the modern quest for holistic well-being, there remains a significant gap in the comprehensive understanding of the synergistic relationship between Yoga and Music. Most existing literature and contemporary practices treat these disciplines in strict isolation, overlooking their philosophical underpinnings and shared methodologies as interconnected paths to mental tranquility and spiritual realization. This white paper seeks to bridge that gap by utilizing a comparative qualitative methodology to systematically explore the profound intersections between Yogic science and ancient Indian musicology. Historically, Yoga and music were completely integrated during the Vaidika period, viewed collectively as a holistic art of living designed to elevate social, artistic, and spiritual life simultaneously. However, a historical divergence over centuries fractured this union, rendering Yoga an ascetic spiritual pursuit and relegating music primarily to public entertainment. This paper argues that despite this historical separation, the two disciplines are fundamentally unified. They share a divine origin rooted in the mythology of Lord Śiva, who serves as both the first Yogī (Ādiyogī) and the Lord of Dance and Music (Naṭarāja). They also share core operational concepts, relying entirely on Prāṇa (vital life energy) and Nāda (vibrations). Ultimately, both Yoga and Music converge on the exact same end goal: Samādhi, achieved through the cessation of mental modifications (Citta Vṛtti Nirodha). By illustrating how the eight limbs of Aṣṭāṅga Yoga are actively utilized by music practitioners, and how music acts as an active instrument for entering and sustaining meditative states, this paper demonstrates that music is not an accessory to meditation, but a Haṭha Yoga Sādhana in its own right.