Sen jako dominanta kompozycyjna w powieści Dom dzienny, dom nocny Olgi Tokarczuk
Sen, marzenie, zaświaty w literaturze i kulturze August 29, 2017 DOI: 10.18778/8088-693-3.11 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Key points | Argues that dream is the fundamental element of composition in Tokarczuk's novel, operating on every narrative level and functioning as a filter for interpretation. |
Abstract
Article concentrates on different aspects of dream and dreaming in one of Olga Tokarczuk’s mostwell-known novels. It analyses the presence of dream both in the content of the text and in the formalstructure of the novel. The final thesis of the essay is that dream is the fundamental element of compositionthat can be found on every level of the narration. It creates subtile game with a reader and is a filterthrough which we can interpret the book.