Cortical Neural Synchronization Underlies Primary Visual Consciousness of Qualia: Evidence from Event-Related Potentials.
Claudio Babiloni, Nicola Marzano, Andrea Soricelli, Susanna Cordone, José Carlos Millán-Calenti, Claudio Del Percio, Ana Buján
Frontiers in Human Neuroscience January 1, 2016 DOI: 10.3389/fnhum.2016.00310 (opens in new tab) via PubMed
Summary
AI-generated from the abstractPrimary visual consciousness—whether a person reports seeing a stimulus—is associated with enhanced cortical neural synchronization, but the timing and brain regions involved depend on the type of visual feature. In three experiments using event-related potentials, seen and unseen trials showed no difference in the timing of neural responses, but the sources of brain activity differed. For visuospatial stimuli, consciousness involved higher activity in dorsal occipital and parietal areas around 400 milliseconds. For emotional face expressions, greater activity appeared in parietal and frontal areas at about 180 milliseconds. For written words, higher activity occurred in occipital, parietal, and temporal areas at about 230 milliseconds. These results suggest that primary visual consciousness arises from synchronizing different cortical networks depending on the visual feature, possibly forming a multidimensional palette of qualia.
Study at a glance
| Characteristics | Review of three experiments Peer reviewed |
|---|---|
| Keywords | Cortical neural synchronization Dorsal visual stream Event-related potentials erps High-Resolution Electroencephalography EEG Primary visual consciousness |
| Key finding | Primary visual consciousness is associated with enhanced cortical neural synchronization with spatiotemporal characteristics that differ by visual stimulus feature. |
Abstract
This article reviews three experiments on event-related potentials (ERPs) testing the hypothesis that primary visual consciousness (stimulus self-report) is related to enhanced cortical neural synchronization as a function of stimulus features. ERP peak latency and sources were compared between "seen" trials and "not seen" trials, respectively related and unrelated to the primary visual consciousness. Three salient features of visual stimuli were considered (visuospatial, emotional face expression, and written words). Results showed the typical visual ERP components in both "seen" and "not seen" trials. There was no statistical difference in the ERP peak latencies between the "seen" and "not seen" trials, suggesting a similar timing of the cortical neural synchronization regardless the primary visual consciousness. In contrast, ERP sources showed differences between "seen" and "not seen" trials. For the visuospatial stimuli, the primary consciousness was related to higher activity in dorsal occipital and parietal sources at about 400 ms post-stimulus. For the emotional face expressions, there was greater activity in parietal and frontal sources at about 180 ms post-stimulus. For the written letters, there was higher activity in occipital, parietal and temporal sources at about 230 ms post-stimulus. These results hint that primary visual consciousness is associated with an enhanced cortical neural synchronization having entirely different spatiotemporal characteristics as a function of the features of the visual stimuli and possibly, the relative qualia (i.e., visuospatial, face expression, and words). In this framework, the dorsal visual stream may be synchronized in association with the primary consciousness of visuospatial and emotional face contents. Analogously, both dorsal and ventral visual streams may be synchronized in association with the primary consciousness of linguistic contents. In this line of reasoning, the ensemble of the cortical neural networks underpinning the single visual features would constitute a sort of multi-dimensional palette of colors, shapes, regions of the visual field, movements, emotional face expressions, and words. The synchronization of one or more of these cortical neural networks, each with its peculiar timing, would produce the primary consciousness of one or more of the visual features of the scene.