Digital Sigil Magick: The relevance of sigil magick in contemporary art and culture
Pam Payne
Technoetic Arts December 1, 2013 DOI: 10.1386/tear.11.3.297_1 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Topics | Chaos magick |
| Key points | Argues that contemporary art, music, and popular culture in the United States and Europe show a direct lineage to ancient esoteric and magical traditions from Greece and Egypt, mediated through Renaissance and early twentieth-century practitioners. |
Abstract
Abstract Many areas of contemporary art and culture in the United States and Europe can be shown to have a direct lineage to the rich history of the Western Mystery Traditions, rooted in ancient esoteric and magical philosophies of Greece and Egypt. Video mash-ups and audio sampling have inherited the cut-up methods of Beat poets and artists, who in turn were influenced by the Surrealists and their contemporaries. Early twentieth-century artists such as Austin O. Spare drew upon magickal practices derived directly from renaissance practitioners such as John Dee’s use of The Key of Solomon and Giordano Bruno’s Art of Memory. Methods of employing graphical imagery for the purpose of accessing insight or influence from alternate realms continue to draw upon Gnostic and Hermetic philosophies of ancient Greece and Egyptian antiquity. We can easily see the persistent influence of these ancient beliefs and practices in the contemporary use of logos and symbols of popular culture as well as in contemporary art and music.
Comparable studies
Other theoretical and historical papers on chaos magick, most cited first.
| Study | Year | Design | Participants |
|---|---|---|---|
| Chaos Magic | 2026 | Historical analysis | |
| The Signature and the Sigil: Fortean Biography, Chaos Magick, and a Metabiographical Approach to Proper Names in Jonathan Downes's The Owlman and Others | 2024 | Theoretical or philosophical paper |