Spaced out: radical environments of the psychedelic sixties
Choice Reviews Online August 1, 2009 DOI: 10.5860/choice.46-6595 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Historical analysis Peer reviewed |
|---|---|
| Keywords | Visual arts Art history |
| Citations | 32 |
| Key points | Argues that the radical architecture and communal living spaces of the 1960s counterculture, inspired by psychedelic drug culture, forged a spatial vocabulary that still reverberates today. |
Abstract
The utopian sixties inspired revolutionary and alternative ways to live, love, and entertain--and equally radical spaces to do it in. Stimulated by the psychedelic drug culture, rebel designers and architects distorted space to create womblike coves and isolation chambers, forging a spatial vocabulary that still reverberates today. At the same time, the tune-in-turn-on-drop-out message lured youths into far-flung communes, often under the roofs of brightly painted geodesic domes draped and tie-dyed fabric. Idealistic and anarchic enclaves with names like Drop City and Morning Star redefined the concept of community, inventing a wildly spontaneous way of building and dwelling. For the first time, these ephemeral spaces are brought together in Spaced Out. The many never-before-published photographs and an inventive text by acclaimed author Alastair Gordon show in detail the spirit and ideas of this radical period.