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Full Penetration: The Integration of Psychedelic Electronic Dance Music and Culture into the Israeli Mainstream

Joshua I. Schmidt

Dancecult January 1, 2012 DOI: 10.12801/1947-5403.2012.04.01.02 (opens in new tab) via OpenAlex

Summary

AI-generated from the abstract

In Israel, psychedelic electronic dance music culture has become unusually prominent in the mainstream. Drawing on ethnographic fieldwork, the article compares how secular and orthodox Jewish youth use trance-dance parties to serve their respective community needs. These contrasting uses reflect the distinct socio-cultural circumstances and conditions of each group.

Study at a glance

Characteristics Ethnography Peer reviewed
Population Secular and orthodox Israeli youth
Keywords Mainstream Electronic dance music Youth culture Visual arts Penetration warfare
Citations 8
Key finding Secular and orthodox Israeli youth use trance-dance parties in contrasting ways that reflect their distinct socio-cultural circumstances.

Abstract

Although psychedelic electronic dance music and culture (PEDMC) networks exist across the planet, in Israel this subculture has attained a high degree of mainstream national/cultural prominence. Based on an ongoing ethnographic project, this article discusses Israeli (P)EDMC by comparing and contrasting the multi-functional roles that this music culture plays for two generally non-related local populations-secular and orthodox youth. It examines the way these communities utilize trance-dance parties to serve their community and their specific needs, and how, in turn, these uses reflect the current socio-cultural circumstances and conditions particular to each group.

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