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A Post-Cringe Theory of Psychedelic Spirituality in the Rave Scene

Michelle Lhooq

Psychedelic Intersections January 17, 2025 DOI: 10.70423/0001.12 (opens in new tab)

Summary

AI-generated from the abstract

Cringe, the uncomfortable feeling of embarrassment or awkwardness, can be used to diagnose what has become stale in the rave scene and to argue for reclaiming a transcendent spirit. Although cringe may never be fully escaped, the strong emotions it signals act as a shock collar, alerting participants to behaviors and beliefs that were once radical but have since become outdated and cliché. The essay argues for instrumentalizing cringe to advance the psychedelic music scene beyond its current cringe and capitalist phase. Change cannot happen without cringe.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Key finding Argues that the emotion of cringe can serve as a tool to identify and overcome outdated and clichéd elements in the rave and psychedelic music scene, thereby helping to reclaim a transcendent spirit.

Abstract

This essay uses the concept of cringe as a tool to assess where the rave scene has gone stale and to argue for ways it may reclaim a transcendent spirit. While we may never be able to fully escape the cringe, the powerful emotions it signals can serve as a shock collar, alerting us to behaviors and beliefs that were perhaps once radical but have since become outdated and cliche. In this way, I argue for the instrumentalization of cringe as a way of advancing the psychedelic music scene beyond its cringe and capitalist present. There cannot be change without cringe.

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