Metamorphoses of the Subject: Kandinsky Interpreted by Michel Henry and Henri Maldiney
Avant: Journal of Philosophical-Interdisciplinary Vanguard September 30, 2018 A. Yampolskaya 1 citation
In this paper I compare how Michel Henry and Henri Maldiney interpret Kandinsky’s heritage. Henry’s phenomenology is based on a distinction between two main modes of manifestation: the ordinary one, that is, the manifestation of the world, and the “manifestation of life.” For him, Kandinsky’s work provides a paradigmatic example of the second, more original mode of manifestation, which is free...