Purpose The purpose of this paper is to examine the performance of Zhuang shamanic narrative songs at three festivals to explore how and why a narrative song genre that originated with Zhuang shamans is separated from shamanic ritual contexts and re-contextualized at festivals under the cultural policies instigated by the People’s Republic of China in the post-socialist era....
This paper examines two cases of Zhuang religious revival involving multiple actors. It shows how consideration of “superstition” (, mixin) places some religious practice outside the institutional framework when discussing the modern concept of religion in China. In this paper, I particularly focus on two main dimensions of religious revival among the Zhuang people. The first is a grassroots...