The 4E‘s Model of Enactivism through Improvisation within DMIs
Anais do XVIII Simpósio Brasileiro de Computação Musical October 24, 2021 Isabela Corintha, Giordano Cabral
This paper describes how a theoretical framework focused on the 4E‘s model which describe the mind as fundamentally: embodied, embedded, extended and enactive, within the paradigm of enactive music cognition can contribute to the design of Digital Music Instruments (DMIs). From an epistemological perspective, we discuss improvisation within the Western academic music culture through two...