Every story is told for an audience. Pieces of the narrative that follow were addressed, initially, to various audiences: friends, colleagues, co-workers within seidr. The account of my first encounter with oracular seidr was written for two friends; later, part of it was incorporated into a paper given to the Society for the Anthropology of Consciousness (Blain, forthcoming) and used again,...
The Saga of Eirik the Red describes the visit of a spákona, a seeress, to a Greenland farm, one thousand years ago. Her clothing and shoes, her staff and cloak, are detailed. She is asked to predict the progress of the community; she eats a meal of the hearts of the farm animals, and the next day a “high seat” is made ready for her, where she will sit to foretell. She engages in ritual...